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Full text of "Poems of the Malay peninsula, with an introductory essay on the Malay people"

PR 
6013 





THE LIBRARY 

OF 

THE UNIVERSITY 
OF CALIFORNIA 

LOS ANGELES 




p 

l 



POEMS OF THE 
MALAY PENINSULA 



Nos. L, II., HI., VI., VII., VIII., IX., X., XL, XII., 

XIII., XV, XVIII. reprinted by courtesy of the 

Editor from the Perak Pioneer. 

The Design on the Cover is taken from " Indra Sebaha,' 

a Fairy-Tale recently translated by a Malay 

writer from the Hindustani. 



POEMS OF THE 
MALAY PENINSULA 

WITH AN INTRODUCTORY ESSAY 
ON THE MALAY PEOPLE 



BY 

R. GREENTREE, B.A. 

LATE OF THE PERAK CIVIL SERVICE, MALAY STATES 



PHILIP WELLBY 

6 HENRIETTA STREET, COVENT GARDEN 

LONDON 

1901 



Printed by BALLANTVNE, HANSON 
At the Ballantyne Press 



Co. 



PK 

6(9/3 



CONTENTS 



INTRODUCTION 7 

I. THE SINGING BAMBOO . . . . '. ' . 47 

II. SONG OF THE CHANDRAWASI .... 50 

III. MENJELMA 53 

IV. KRAMAT 56 

V. WRECK OF THE PERDANA, KUALA PAHANG . 59 

VI. KUALA PAHANG 62 

VII. MALACCA 64 

VIII. SWORD OF HANG TUAH 66 

IX. FATE EAST AND WEST 69 

X. CARVING ON THE WALL OF A MOSQUE . . 72 

xi. AMOK 75 

XII. THE PILGRIMAGE 78 

XIII. ABDULLAH . 8l 



<f 



vi CONTENTS 

PAGE 

XIV. THE WITCH OF THE MOUNTAINS . 83 

XV. VOICE OF THE FORESTS 89 

XVI. SETTING SUNS 91 

XVII. SEEK AND YE SHALL FIND .... 94 

XVIII. MALAYA FROM THE SEA 95 

XIX. AVE ATQUE VALE 97 

NOTES 99 



POEMS OF 
THE MALAY PENINSULA 

INTRODUCTION 

I 

THE following poems, with one or two ex- 
ceptions, appeared originally in the Perak 
Pioneer. 

They formed an attempt to bring into promi- 
nence certain aspects of the Malay character, 
history, and natural surroundings, which under 
the materialising influence of latter-day civilisa- 
tion are passing gradually out of view. The 
Malays themselves, in their passionate regard 



8 POEMS OF THE MALAY PENINSULA 

for what they imagine to be the actual truth 
concerning matters of history which only re- 
motely affect their individual lives, are largely 
responsible for the prosaic way of looking 
at things which is noticeably gaining ground 
among them every day, assisted as it is by 
that suspicious dislike of ideal conceptions, and 
contented tendency to sheer materialism, which 
dominate every branch of the Mongolian 
family. But inasmuch as neither wilful blind- 
ness nor, as is probably the case with the 
Malay, an imperfectly developed conscious- 
ness can prevent the Rational Order which 
pervades the universe from manifesting itself 
in national life and thought, though perhaps 
such a manifestation can be seen only by 
other eyes than those of its medium, there is 



INTRODUCTION 9 

sufficient ground for viewing the occurrences 
both of ordinary life and of legend definitively 
in this light. And although in modern times 
we generally condemn, as laboured and peda- 
gogic, the Dantesque l method of calling atten- 
tion to the organic unity of analytic criticism 
and direct intuition by giving play to the 
formative imagination for the avowed purpose 
of making it serve as a handmaid to philosophy, 
still, to take an instance from one department 
of artistic sensibility, the beholder can feel the 
charm of a beautiful face, even though his 
mind may be capable of dissecting it anatomic- 
ally. Michael Angelo indeed would have said 
that he cannot do so on any other condition. 
And in the same way impressions of the 

1 See Dante's Vita Nuova and // Convita. 



io POEMS OF THE MALAY PENINSULA 

spiritual life of a people are not otherwise pre- 
served from fleetingness and fluctuation than 
in virtue of their being the outcome of rational 
and creative principles. 

For this reason I shall try to show what 
the Malays are, and what they would seem 
to need for their full development, relying on 
the fact that even fragmentary legends and 
proverbs give a clue to both one and the 
other. For the future is determined by the 
present ; what is dim will become clearer, 
and the lapse of time in a process of intelli- 
gent evolution will help to characterise the 
vague and relatively formless. 



INTRODUCTION i i 

II 

The Malays are a nation of shy and proud 
individualists, with a pride which is never 
aggressive, but merely defensive or silently 
reproachful. Quite recently freed from the 
artificial bonds of a feudal system, they have 
not as yet had the time necessary for the 
growth of an idea to evolve from themselves 
and their environment a new system of social 
and moral unity. As among all Oriental 
nations, custom has a certain influence among 
them, but it rarely conflicts with their indi- 
vidual inclinations, and when it is obeyed, it 
is obeyed as something imposed on its servants, 
as an arbitrary ordinance which it would be 
a needless annoyance to defy, not as the ex- 



12 POEMS OF THE MALAY PENINSULA 

pression of a man's better self reflected in, 
and modifying, his social conditions. It has 
thus no universally binding force, and, were 
it not for its sanctions, might be reduced 
to individual liking. On the same principle, 
in the Mongolian family, argument, which is 
essentially a symbol of the interdependence 
of mind and mind, is not tolerated ; neither 
is it tolerated outside. The Malay prides 
himself on having what he calls a "divided 
face," one part of it to hold by his own 
opinion in the face of all persuasion, the 
other to gratify his interlocutor by a seem- 
ing assent. Nor is learning exempt from this 
omnipresent atomism ; native scholars will tell 
you, as one of them in fact told me, that the 
collaboration of two men in writing a book 



INTRODUCTION 13 

is considered a sign of weakness in both, as 
implying that neither is learned enough to 
dispense with the other's assistance. Altogether 
it is as though the World-Spirit had resolved to 
incarnate for his envisaging the idea of sheer 
individualism, as well marked as the conditions 
of a scheme of things, in which men have to 
live together somehow, permit. (Cp. "Amok," 
the insane exaggeration of something felt by 
the Malay to a less extent in a condition of 
sanity.) Under ordinary circumstances such a 
temper can lead to nothing but weakness, and 
it is primarily responsible for the evanescent 
character of any influence which the historical 
Malay may have exercised over the various 
fields of human activity in the past, as well 
as for the fact that his descendants are being 



14 POEMS OF THE MALAY PENINSULA 

gradually crushed out by other races to- 
day. 

There is, however, one external bond of union 
which has secured for the Malays a certain 
amount of coherence, inorganic though it be. 
The Mohammedan religion, of which they 
are unquestioning followers, enables them to 
maintain a sort of solidarity as against the 
worshippers of other gods with whom their 
sea-girt lands are crowded, but for intellectual 
and moral sympathy amongst themselves it 
provides hardly any basis at all. Sympathy de- 
pends very largely on growth, and that growth 
the growth of ideas, inasmuch as the many- 
sided man of many conceptions a universality 
which does not come into being at one stroke 
must obviously have more points in common 



INTRODUCTION 15 

with his fellows than the one-sided man. On 
his imaginative side the former will be in 
contact with one man, on his practical side 
with another, and so on, every one of these 
sides being represented by thoughts and judg- 
ments which through their constant growth 
and transition from phase to phase, still further 
widen his sympathies. But orthodox Mo- 
hammedanism, being in its essence an un- 
changeable revelation, implants in the mind of 
its followers a few limited truths, from which 
they think it criminal to deviate, and which may 
not be discussed. That is all. Heresies and 
Sufism no doubt have sprung up within it, but 
they are chiefly to be found among the learned, 
and the orthodox regard them with peculiar 
abhorrence ; semi - civilised peoples of the 



1 6 POEMS OF THE MALAY PENINSULA 

Mohammedan creed do not seem to be aware 
of the existence of such dissensions, and esteem 
the faith to be one and indivisible, as its im- 
port and genius certainly is. 

The Malays, however, were not always Mo- 
hammedans, and the liberty they give their 
women indicates that the passion which each 
of them possesses for ordering the details of 
his daily life as he individually thinks fit, has 
not been affected to any appreciable extent 
by the dictates of his religion, or at any 
rate by the practice of his co-religionists the 
Turks, whom he admires so much. Immersed 
in local interests and very incurious, he cannot 
be said either to know or care much about 
any foreign lands other than those inhabited 
by his own kindred that is to say, the islands 



INTRODUCTION 17 

of Malaysia, with which, if we accept Sir Stam- 
ford Raffles's exceedingly probable 1 idea that the 
Malays were originally Tartars we may reckon 
Constantinople. But he has heard some names 
which make up for him the great world outside, 
Miser (Egypt), Siam, Awa (Burmah), Samar- 
cand. If he is an educated man, he has read 
something about Hindustan (much as we read 
about Tartary in Marco Polo's travels) in the 
romances, translated from Hindustani, which 
form the staple of his literature. He may 
even have heard the name Mogul somewhere, 

1 Probable, because (i) the Malay language is agglutinative, not 
inflected, and words seem to have been largely formed by the 
mechanical welding together of two monosyllables, the Mongolian 
type ; (2) the identity of name between certain places in Man- 
churia and the Malay Peninsula (e.g. Tekka) ; (3) the wide con- 
quests of the Tartars ; (4) the Tartaresque aspect of certain wooden 
Malay buildings with lantern turrets. 

B 



1 8 POEMS OF THE MALAY PENINSULA 

without being able to give it a very precise 
connotation. It is possible that he has been 
on a pilgrimage to Mecca. Ajam (Persia) is 
to him a part of India, lying somewhere 
" beyond the wind " (di-atas angin), and only to 
be reached by sailing through the Silken Sea 
(The Red Sea). 

Mohammedanism was introduced in the four- 
teenth century, most probably by missionaries 
from Arabia, and it may be gathered from one 
or two passages in the " Malay Annals," a book 
written in the sixteenth century A.D., that a 
tincture of philosophy came along with it, of 
which the priests still know the terms, though 
they have probably not much more grasp of 
their meaning than has the average Oriental, 
who, in these modern days, is a pure formalist. 



INTRODUCTION 19 

That (ci?lj), a conception which is radically the 
same as Kant's Noumenon, the unknown sub- 
stratum of objects which is held to persist in spite 
of a possible denudation of all their perceptible 
qualities, seems to have been one of the things 
understood by a great apostle of Islam who 
visited Malay territories : though Allah alone was 
and is generally supposed to be able to read the 
inner reality of things, and understand the lan- 
guage founded thereon a language in which 
one must conceive of words as sounded 
according to their import and spiritual in- 
tention, rather than according to their letters 
or syllables. But before the introduction 
of Moslem culture, the Malays were probably 
Hindus, and of this time abundant traces 
remain in their literature and language. 



20 POEMS OF THE MALAY PENINSULA 

That they were Buddhists is less likely ; indeed, 
almost the only consideration which can be 
adduced in support of this possibility is the 
known activity of Buddhist missionaries. 1 For 
exclusively technical terms of Buddhism have not 
found derivatives in the Malay language, while the 
regal title "batara" recalls the Hindu avatar, Jugi 
represents the Hindu Yogi, and the names of 
many Hindu gods appear as spirits in the Malay 
folklore. The greatest scholar that England has 
hitherto sent out to the Far East has, in his 
" Manual of the Malay Language," collected 
many such names, the names of gods and 
heroes whose precarious sovereignty, so far as 

1 Buddhism superseded Hinduism in Java, but throughout the 
historical part of this discussion and most of the remainder I refer 
more especially to the Malay Peninsula, in which Malay, and not 
Javanese or Tagal or the like, is spoken. 



INTRODUCTION 21 

the Malay is concerned, is fast disappearing. 
Further, I have met with Baruna among this 
people as a personal name, a fact which, in 
view of the Oriental propensity to name men 
after their gods, leads one to suppose that in 
time past the Malays worshipped Varuna, lord 
of the West in the Hindu cosmos. Their 
language is full of Sanscrit derivatives, some 
of which are the commonest words, con- 
junctions and the like, while others are rarely 
met with except in the flowery, that is, the 
literary style ; also it was originally written 
in an Indian character called Ganga Malay u, 
which is still used, it is said, by the present 
Sultan of Perak for cipher correspondence. 
With the Hindus, religion and culture were 
never far removed from one another ; grammar 



22 POEMS OF THE MALAY PENINSULA 

was a divine institution, and on this as well 
as on more general grounds we are entitled 
to say that most of the Malay mythology and 
folklore came from India. (Cp. "Chandrawasi," 
" Menjelma," " Kramat," the idea of which 
recalls Rama and his monkeys.) 

From that quarter came all the strange myths 
which abound in the earlier half of the " Malay 
Annals" as well as those which are still pre- 
served by oral tradition among the nobles 
of remote districts, the pawangs or medicine- 
men, and the kabayans or witches, a fast- 
diminishing class. No doubt the old Malay 
translation of the " Rdmayana " (a long pas- 
sage from which is printed in Marsden's 
Grammar, but which can hardly be obtained 
now), greatly aided the diffusion of unearthly 



INTRODUCTION 23 

Hindu legends among a docile people, who 
loved portents and the fantastic arbitrariness of 
the supernatural. In early times credence was 
obtained for these stories by the authority of 
religion, which exacted worship for the heroes 
of them as demigods, and when this authority 
disappeared before the advance of Mohammed- 
anism the conservative instinct of men for keep- 
ing alive the traditions of their fathers took care 
that this part of them should not pass into entire 
oblivion. On the other hand, Mohammedanism 
is gradually sapping the study of books which 
contain them in favour of biographies of Emirs 
and " Lives of the Saints." 

It must not be supposed that the Malays are 
generally aware of the origin and ethnic impor- 
tance of their earliest development. Their anti- 



24 POEMS OF THE MALAY PENINSULA 

quarian knowledge has not got beyond the idea 
that " in the beginning " they came from the 
kingdom of Menangkabau in Sumatra. They 
have not yet asked themselves the question 
whether this kingdom was the real home of their 
race, or, as seems more likely, only a compara- 
tively ancient settlement. Even of that country 
which has had such an enormous influence on 
their destiny they have the vaguest notions. Of 
the origin of most of the legends and conceptions 
which float about amongst them, the Malays are 
entirely ignorant ; and in this respect they have 
something in common with those multitudes 
of men in every country who never rise above 
phenomenalism. But there is this difference 
between the phenomenalism of the ordinary 
Western mind and the phenomenalism of the 



INTRODUCTION 25 

Malay : the former is ignorant of the source and 
causes of many things, in detail, but he knows 
where to find them out and how, being guided 
in his search by that fruitful mother of knowledge, 
intelligent curiosity. The Malay's very dim idea 
of causation or natural law, which may almost be 
considered nothing, so dim is it, is not enlightened 
or warmed by the sun of wonder, a sun able 
of itself to make such an idea spring up. It 
would not be far wrong to say that the Malay is 
not aware of having such an idea at all. Neither 
morally nor intellectually has he anything of that 
questioning spirit in which, according to Aristotle 
and human experience, philosophy begins. 

Under such mental limitations the Malay lives, 
and has lived for a long time. His wisdom is all 
of the proverbial type, the type which can give 



26 POEMS OF THE MALAY PENINSULA 

no reasoned account of itself, but trusts to aper- 
9us formed by the help of empirical observation, 
feeling sure of their truth if experience, which 
under the circumstances moves within an in- 
evitably narrow circle, is not found to be in any 
way discordant with them. 

Without doubt the Malays are accurate ob- 
servers of the facts of nature, as is shown by 
many of their metaphors and comparisons, such 
as that one which likens the empty gravity of a 
would-be sage to the pithless stem of a bamboo ; 
but they are destitute of the scientific temper, 
which would impel them to ask why objects 
appear as they do and how they are related 
to other objects. Accordingly, this accurate 
observation of theirs remains mere words, and 
is not translated into the concrete of wood or 



INTRODUCTION 27 

stone ; for, though a man may know the form 
of every tree in the forest, yet he cannot 
make a design from the tangle of jungle trees 
and creepers, if he is too much the slave of 
that nature which strikes the eye alone to 
venture on the exercise of artistic choice ; and 
without this it is impossible to delineate faith- 
fully a natural group. Artistic discrimination 
of this kind necessarily depends on a con- 
ception of spiritual order which puts each thing 
in its proper place and rank, sacrificing acci- 
dental detail as unworkable material, if so be 
that it is not subservient to the main idea 
and primal characteristics of the object treated. 
(Cp. "Carving on the Wall of a Mosque.") In 
any ornamental design which, hand-drawn, one 
may find in a Malay book, there are presented 



28 POEMS OF THE MALAY PENINSULA 

to the view irregularity, an entire want of 
symmetry or proportion, and an equal lack of 
correspondence between elements which one 
would think ought, in this species of art, to 
correspond e.g. parallel straight lines, to- 
gether with a superfluity of rococo ornament, 
and flowers which might be everything and 
anything in their lack of characterisation. But 
all honour to the beginnings of art ; the spirit 
at first flounders into the world, as Plato 1 
said, and animated beings of its creation 
move all ways unguidedly, but at length it 
harmonises and is harmonised, settles and is 
settled. Barbaric wealth of intricacy is but the 
sub-conscious waking of unborn order in the 
craftsman's mind. So Malay art will eventually 

1 "Timseus." 



INTRODUCTION 29 

learn to look less for gaudy and erratic detail, 
more for balance and self-restraint. 

As this multiplicity of unsystematised incident 
rules everything Malay, it is not surprising to 
find that no science, and hardly any mathe- 
matics, exist in such surroundings. There .is 
much talk about the science (elmu) of this, and 
the science of that, but, as these so-called 
sciences consist merely of a very few practical 
rules loosely strung together, such talk appears 
rather an instance of the Oriental respect for 
anything like learning than a proof of know- 
ledge. Science is the perception, acquired by 
methodical and selective experiment, that each 
particular object is the manifestation for the 
time being of a certain totality, which deter- 
mines its mode of existence. And this percep- 



30 POEMS OF THE MALAY PENINSULA 

tion must be not merely general, but also one 
which takes cognisance of the manner of the 
manifestation and of the mathematical combina- 
tions which are involved in the object as so 
related to the general law or totality. But the 
few general notions which the Malay mind con- 
tains are unrelated to natural facts as well as to 
one another, and very little distinction is made 
between the essential and the accidental. Bacon 
would have called them hasty notions abstracted 
from the surfaces of things. 

Mere phenomenalism always leads to a sort of 
pseudo-rationalism, in those matters, above all, 
which cannot be verified by the senses. Of this 
sort are pictures indicative of an original life 
they had in ancient or far-away scenes. And 
so the more cultured Malays are beginning to 



INTRODUCTION 31 

take a pride in their scepticism, which disposes 
of ghosts, fairies, death-visitants, and the like as 
ignorant superstitions, only fit for the vulgar. 
There is a conflict of ideas going on : on the 
one side is a natural deference to ancestral 
traditions ; on the other side, arrayed against 
it, this tendency to reject whatever cannot be 
satisfactorily explained by the private judgment. 
The latter is no mean power among individu- 
alists who secretly think that what they fail to 
comprehend cannot be comprehended at all. A 
Malay chief once asked me what was the use 
of having scenic representations of fairies and 
goblins, if, as he was told, there was no known 
country which numbered such creatures among 
its inhabitants. He did not conceive the possi- 
bility of looking at such supernatural beings 



32 POEMS OF THE MALAY PENINSULA 

in the light either of the time at which the 
belief in them grew up, or of the physical and 
moral surroundings which favoured its con- 
tinuance. This spirit of incredulity is spreading 
widely among modern Malays, and they are con- 
firmed in it by their limited estimate of the prac- 
tical value of exploring supra-sensuous regions. 

As the sub-conscious idea of causality will, 
however, force its way now and then into the 
daylight, it did not seem to me a matter for 
surprise to hear a native scholar hazard an 
unsystematic though happy guess that the story 
of King Suran's reign in the depths of the sea, 
as told in the " Malay Annals," probably con- 
cealed a reference to the great sea-power of 
that monarch, though indeed there was little 
else to prove its existence. This piece of myth- 



INTRODUCTION 33 

interpretation was an isolated instance ; its pro- 
poser proudly confessed himself a sceptic on 
other things of the same class, and, what is 
more, he did not see how such a fact would 
probably lead to such a story. An imagination 
more vivid than his prosaically minded race 
seems to possess might have set before itself 
the amazement with which men in those early 
times would behold a powerful fleet, going so 
far as to consider the skilful management of 
it a proof that its great captain had learnt his 
art from the king of the sea, who could surely 
tell his friends the whereabouts of every rock 
and current in his dominions, and protect their 
ships from the uncouth monsters 1 which owed 

1 One of these sea-monsters was said to have attacked a great 
city where Singapore now stands. 

C 



34 POEMS OF THE MALAY PENINSULA 

him allegiance. The portals of nature were 
always receding then ; we knew nothing of her 
laws or uniformities, and we thought it strange 
if in our childish rambles we did not find vanish- 
ing women or a goblin feasting merrily in our 
fish-traps, as the old Malay fisherman found 
him. The Age of Faith departs, and the Age 
of the Reflective Judgment, hastened more or 
less by external circumstance, succeeds ; but 
in this also are marvels, though of another 
and more scientific sort. For the philosophic, 
this Age is the result of mental development ; 
for the unphilosophic, it is borne in from with- 
out, and this is what Western influences are 
tending to do for the Malay. 

An individualist in his life, and a phenomenal- 
ist in his outlook on the world, one can easily 



INTRODUCTION 35 

see how it comes about that he is a materialist 
in his opinions, at any rate so far as his con- 
scious thinking in relative contrast with the 
glimmerings of the sub-conscious Reason deter- 
mines the matter. (Indeed, to be a materialist 
is not very different from being an individualist 
or a phenomenalist, since everything perceived 
by the senses appears in a shape which is dis- 
crete and at the first glance unconnected with 
its environment, while these same things are, 
from the nature of the case, material.) It is 
not strange, therefore, that the Malay language 
does not recognise any distinction between the 
physical life, which humanity has in common 
with all other organisms, and that life of re- 
flective consciousness by the exclusive posses- 
sion of which it is distinguished from them. 



36 POEMS OF THE MALAY PENINSULA 

The word "nyawa" or "jiwa" is used for both 
alike. Neither does the language conceive the 
heart, or seat of individual feeling, as in any 
way to be contrasted with the mind, whereby 
men think in common with valid and trust- 
worthy results, either as part with whole or in 
any other way ; the word " hati " is employed 
in each case. The Malay hunter solemnly lays 
the ghost (badei) of the deer he has slain, just 
as he ordinarily shuns the place where the 
unquiet spirit (badei) of a murdered man is 
reputed to wander. It is comparatively easy to 
see how among people living in the rudiment- 
ary stage of intellectual growth which we may 
call materialism by insufficient attention as 
distinguished from materialism by denial, there 
readily come into vogue stories of singing trees 



INTRODUCTION 37 

and men transformed into tigers, or conversant 
with their dialect. (Cp. "Menjelma," " Kramat," 
"The Singing Bamboo.") In all these cases 
there is no difficulty felt in the transference of 
what we know to be specially the human mind 
into the body of an animal or a plant ; for to 
the Malay there is no difference between the 
normal life of man and that of any other living 
thing. It is true that the Hindus also had a 
theory of the transmigration of souls ; but, as 
they understood it, this operation was depend- 
ent on a gradual depravation of his higher 
faculties by the individual man, at every degree 
of which he approximated more and more to 
the life of a beast, till he actually reached it, 
at a time coinciding with his death in human 
form. But among the Malays this idea of 



38 POEMS OF THE MALAY PENINSULA 

Karma is wanting, and no such downward pro- 
gress is necessary for the transformation, these 
two states of life being to them identical at the 
start. (Incidentally, it may be observed that while 
there are in the Malay language numerous traces 
of Hindu mythology and. popular religion, there 
are none at all of Hindu philosophy or rational- 
ised religion.) So also to a nation so much in 
bondage to the tangible, what readier way of 
following a leader's precepts could suggest itself 
than the keeping some extrinsic memorial of 
him? (Cp. "Sword of Hang Tuah.") * The 
symbol being regarded as ultimate, anything 
further would be supererogatory goodness, 
though such might be, and is, practised. 

1 The sense of the sense-symbol has not yet become apparent. 
(See V. Welby, " Grains of Sense," 8.) 



INTRODUCTION 39 

And yet one cannot but feel that the Malay 
has, in the words of Emerson, 



" avenues to God 



Hid from men of northern brain.'' 

Not by the Hindu philosopher's attempt to 
unite himself through meditation with that 
at the fountain-head from which all nature 
comes, or by the philosophy which sees the 
union of the human and the divine in a 
man's deliberate self-surrender to the incor- 
ruptible expansion of his own higher nature ; 
but by childlike trust in a personal God and 
avenger of wrong, with a resignation which 
sometimes wears the garb of quietism, the Malay 
conventionality is unknowingly drawn to some- 
thing higher. In one of the more recent books, 
the "Autobiography of Abdullah," a story is 



40 POEMS OF THE MALAY PENINSULA 

told how the people of Singapore were once 
delivered from the oppression of a certain Dutch 
official by a visitation of God in answer to their 
prayers, and the historian, moralising on the 
event, advises his readers to look for redress 
rather in help from above than in self-asser- 
tion. And indeed, though feelings of revenge 
occasionally get the better of the Malay, yet 
this idea of Divine intervention is his ruling 
principle, and on it he relies with all the 
quiet dignity so characteristic of his nation. 
It is the gospel of the surrender of the in- 
dividual self to the higher reason and its con- 
sequent renewal, attained, not by a process of 
thought, as in the West, but by a sort of 
magnetic intuition. 

"We think in names," said Hegel. Perhaps 



INTRODUCTION 41 

this aphorism may explain the rarity of general 
terms in the Malay language and its entire lack 
of words to express those more recondite 
characteristics of the human mind of which 
all particular activities are the outcome ; only 
a few of the simpler passions are within the 
compass of Malay nomenclature. Speaking 
generally, the conscious perception of a unity 
between mind and the world is wanting, and 
so cannot be stated. Possibly it may come 
in time, necessarily from within, though its 
advent will be accelerated by hints from with- 
out, in word and deed, of a transcendental 
import. Accelerated and nothing more ; since 
it is impossible to make artificially for any 
nation the Avatars of its higher tendencies. 
After this it will not be necessary to point 



42 POEMS OF THE MALAY PENINSULA 

out that the following poems are not transla- 
tions, but simply an attempt to bring out the 
spiritual meaning which is latent in various 
legends and phases of life, though only dimly 
perceived, if at all, by the men whose heritage 
it is to have " bodied forth " those at dawn and 
to sustain these at noon. Further, their national 
poetry, at present, consists mostly of discon- 
nected strings of natural images, thrown into 
the metrical form of four-lined trochaic stanzas, 
in a few instances of which some vague con- 
nection is discoverable, by straining a metaphor 
or two. Even in this art, where it is most 
easy to discern and obey, the Malays have not 
arrived at any conception of organic complete- 
ness, either of subject or treatment. 

Still I can see them across so many miles 



INTRODUCTION 43 

of sea. Along the white high-road, from which 
every now and then a narrow path diverges 
into the green depths of tangled orchards and 
brakes of fruit-trees, there walk in Indian file 
three figures. The first is a man, and behind 
him come two women of his household, chatter- 
ing incoherently and incessantly about ordinary 
things, in a minor key, with, now and again, 
long-drawn musical cadences. Thus they, their 
faces partly covered by a long veil or wimple, 
follow their lord and master. He, with brown 
beardless face on which the grave irony of 
the Malay temperament has set its seal, 
leads by the hand a little child, whose 
wistful beauty contrasts strangely with the 
father's half-sad, half -amused, concern for 
this monotonous world and the fruitless 



44 POEMS OF THE MALAY PENINSULA 

efforts of those whom a less phlegmatic 
temper incites to enliven it. So they walk, 
gravely as of old, along the endless path of 
a reminiscent imagination. 

R. GREENTREE. 

TWYFORU, April 30, 1900. 



POEMS 



I 

THE SINGING BAMBOO 

(Legend locates this tree on a mountain in the neighbourhood of 
Ulu Selama, Perak.) 

ON the top of the hill I was singing alone 

When the man climbed up to die ; 
For he knew not a death-dealing power was 
there, 

Which I gained in days gone by. 

A daughter of men, I died for love, 

And the Universal Will, 
Being just, decreed that in shape a tree 

I should mourn my scorned love still, 



47 



4 8 

And that many should die for me, distraught 
By the spell of my love-sick wail ; 

For " the giver shall get " is a primal law, 
Nor is it in God to fail. 



" Then be of the secret things," It said, 

"Which procure atonement due 
From those who have played with broken 
hearts; 

Of such shall be brought to you." 

Bright were the eyes and flushed the cheeks 

Of my victim, while he quaffed, 
With his mouth agape, my song's fierce 
wine ; 

Some might have said I laughed, 



THE SINGING BAMBOO 49 

But I know no malice ; I think it was 

But a wind from the rainy west, 
Tremulous, rustling amid my stems 

To herald the listener's rest. 

For his eyes grew dim, and an ashen grey 
Drove the rapture from out his face, 

When the third day dawned, and he neither could 
Nor desired to leave his place. 



D 



II 

SONG OF THE CHANDRA WASI 

(Founded on a Malay legend derived from the Hindu.) 

LIKE to the singing of a bird, 

From out the clouds my voice is heard, 

As it goes sounding through all lands ; 
But none may see my glittering wings, 
Or tell aught of my wanderings 

Through palaces not made with hands. 



Sometimes, surrounded by a cloud 
No storms disturb, a misty shroud, 



SONG OF THE CnANDRAwAsi 51 

By power divine invisible, 
I skim across the heaving sea, 
And drink its sparkling foam with glee, 

As once the wine on Indra's hill. 

For I, a goddess born, erewhile, 

Was sent a Rishi to beguile, 
When he would lose himself, to be 

United with the Over-Soul, 

And reach the Brahmin mystic's goal, 
" I am in Thee and Thou in Me." 

He cursed me, and his words had power 

To bind my nature to that hour 
When like a careless bird I came ; 

Straightway my outward form was changed, 

And through the clouds of heaven I ranged, 
But with divine life, still the same. 



52 POEMS OF THE MALAY PENINSULA 

Wherefore, whoso hath eyes to see 

Ideal laws continually 
Appear in each existent thing, 

Hears his own thoughts transformed to song, 

Which human weakness cannot wrong, 
Or make discordant, when I sing. 



Ill 

MENJELMA 

" WHEN I am dead, then lay me down 

Beneath the forest wall ; 
Fill not my grave, for I would see 

The upas-trees so tall." 

He spake and died ; then we, his sons, 
Dug out a woodland grave, 

But minded not his last command ; 
" Perchance he did but rave." 

At eve I wandered in the woods, 
Brooding upon the dead ; 

53 



54 POEMS OF THE MALAY PENINSULA 

I reached the spot, I heard a wail 
From out the ground, and fled. 



Next night we watched, and by the light 

Of sleepy morning stars, 
Beheld a leg rise from the grave 

Chequered with transverse bars. 

Next night we sat there with the dark ; 

The phantom lightnings glanced 
And vanished, and the air was dead, 

As though the dead advanced. 

From out the ground there rose again 

Another paw, a head 
Not human, and a tiger's form ; 

It glared on us and sped. 



MENJELMA 55 

The face was like my father's face 

In his last agony ; 
The eyes were those of an evil thing 

Rejoicing to be free. 

God guard ! but when we feel a wrong 

And maddening contumely, 
We long to be a tiger too 

And work the world a dree. 



IV 
KRAMAT 

A LONG-DRAWN moan, much like a scream 

'At close ; then hark ! 
The hum and hiss of unseen winged things 
In forests dark. 

Dull music, varied by the cry 

Of nightingale 

So called, two whistling shrieks with ghastly laugh 
In sinking scale. 

No fear smote Syed upon the way 

For things like these ; 

56 



KRAMAT 57 

His watch-dog following trembled as he heard 
The rustling trees. 

Out sprang, with eyes like living lamps, 

And seized the prey, 

A tiger, sparing Syed whom nature loved 
Nor would betray. 

For he no bird or beast e'er vexed, 

Nor did of old 

Sleman, God's prophet, better understand 
What their speech told. 

And even the scornful song of that 

Sad nightingale 

Which screams of broken lives told him at last 
Good must prevail, 



58 POEMS OF THE MALAY PENINSULA 

For mockery was ofttimes the death 

Of evil things, 

Shaking from roof to base the House of Vain 
Imaginings. 

So now Syed called ; from jungle depths, 

In his lord's name, 

The tiger, bidden lay his booty down, 
Submissive came. 



WRECK OF THE PERDANA, 
KUALA PAHANG 

i 

FOUNDERING on the hidden sand-dune, where the 

river meets the sea, 

Swings a castaway, handed over to the tide's 
supremacy. 

Heading river wards, when the water on the bar 

lay all too low, 

Caught and held awhile, then staggering 
under many a sea-dealt blow, 

59 



60 POEMS OF THE MALAY PENINSULA 

Heeling over, bruised and battered through the 

driving sleet and spume : 
Helpless lies the stranded vessel ; clustering 
shell-fish seal her doom. 



II 

Power was in that world of waters, circling 

through all time and space, 
For your voyage from thought's vast ocean 
into action's place. 



Wherefore did ye hasten blindly ? And ye waited 

not to know 

If a flood-tide from the Highest set where ye 
would go. 



WRECK OF THE PERDANA 61 

Trusting fortune and your steerage for the ship 

to cleave a way 

Were the river mouth too shallow, fell ye 
thus a prey. 

Palsied were your hands and helpless, and your 

hearts within ye burned, 
When your rightful force unheeded to de- 
struction turned. 




THE plash and moan of heavy-rolling seas 
Beating upon a beach of sand and shale, 
Mixed with the fitful sobbing of the gale, 

Resound among clumps of wild guava-trees 

Which rise amid lawns of short turf, the 

breeze 

Laden with salt keeps barren ; then the veil 
That hides the inner land, an uncleft pale 

Of pathless forest overhanging these. 

Wild solitudes of fern and giant cress 

And coarse-stemmed marsh-flowers, over which 

impend 

62 



KUALA PAHANG 63 

Trunks, dead or living, bound without redress 
In weedy fetters, to this pleasaunce tend ; 

Even as men say life's tangled wilderness 
Becomes a little clearer at the end. 



VII 
MALACCA 

(" History is the realisation of the deeper idea." .HEGEL.) 

CITY which calls up thoughts of Western lands, 

Of feudal castles on a German steep, 
And red-roofed villages on sandy coasts, 
Not dreamless is thy sleep. 



The thoughts of many men have passed away, 
Who lived and died by thy deserted beach, 
But faith and love appearing on the earth 

Destruction cannot reach. 

64 



MALACCA 65 

Long since there fell the empire centred here 

In car-borne warriors from Hindustan ; 
Now of their pageants and their fights no trace 
Remains upon the plan. 

But on the hill-top stand four roofless walls, 

Memorials of a nation from the west, 
Which came long since thy borders to subdue 
And then to give them rest. 

The vision of that nation haunteth thee, 
Carven in stone of thy cathedral wall, 
The incarnation of the strongest thought, 
" Peace and good-will to all." 



E 



VIII 
SWORD OF HANG TUAH 

(He was the lakshamana (Lord High Admiral) of Mansur Shah, an 
ancient king of Malacca who reigned in early Mohammedan days. 
The Malays say that his sword is still guarded there under a large 
bowl-shaped covering of iron. ) 

WHEN the distant palms in clear relief 

Stood black against the sunset's glow, 
His clan looked on their dying chief, 
And whispered low. 

" Like unto him," they said, " was none, 

And also he had surely seen 
The order of two worlds, as one 
Who stood between, 

66 



SWORD OF HANG TUAH 67 

" And so might tell." With steadfast gaze, 

" My lotus-hilted sword," he cried ; 
'Twas brought ; they waited in amaze 
What should betide. 

" For ever keep this sword, in sign 

Ye follow in the ancient way 
Of justice, which ye know was mine, 
From day to day. 

" For if ye lose it, losing too 

In sloth a dying man's behest, 
And memories of the good and true, 
I come in quest, 

" And, coming, smite ye hip and thigh, 

That sin be remedied by woe ; 
Farewell, for now the land is nigh 
To which I go." 



68 POEMS OF THE MALAY PENINSULA 

Hang Tuah spoke and died ; his grave 

Malacca's earth contains, but still 
His life lives in the sword he gave, 
As was his will. 



IX 

FATE EAST AND WEST 

"THE wheel of Fate moves forward still, but 

man remains the same ; 
At every turn spring into life more hosts for 

it to crush ; 

God's will propels it, nor can we his domina- 
tion blame, 

Or, if we blame, Fate is the wind and man 
a slender rush. 

"With life from heaven like the atmosphere, 

embracing all mankind, 

A Something which we did not make and so 
cannot remove, 



yo POEMS OF THE MALAY PENINSULA 

No demon's hand could stop its course, for 

there is nought to bind, 

Nor a Bidadri's smile enchant, for there is 
nought to love." 

Thus he, an old Malay with Eastern creed 
Of blind and changeless fate as God indeed ; 

To whom replied a dweller in the West, 
With wisdom from a writing all may read. 

" The wheel of Fate is man's own heart, o'er all 

his life supreme, 
And what befalls him is the fruit of every deed 

and word, 
And things which he has helped to make and 

fancies of his dream ; 
He is the wheel- wright of the wheel, right arm 

of God the Lord. 



FATE EAST AND WEST 71 

Whose power through human hands and minds 

above all else is shown, 
Even as the life of plants bursts forth revealed 

in leaf and hue ; 
Then, if the wheel procure him ill, let man uplift 

a stone, 

And shattering it, create perforce, one to roll 
on anew." 



X 

CARVING IN WOOD ON THE WALL 
OF A MALAY MOSQUE 

No bird or beast of Nature's make 

Carven, bedecked the wall, 
Nor festooned wreaths from forest-brake ; 

But fancy did it all. 



Self-centred in the carver's brain 

Imagination wrought, 
And could not grasp, or grasped, retain 

A nature-moulded thought. 

72 



CARVING IN WOOD ON THE WALL 73 

For where her tangled nets, by Art 

Unconquered, Nature weaves, 
The impress of no single part 

An untrained eye receives. 



(Though honour to the artist hand 
Be rightly given, which owned 

O'er inly-dreamt design command, 
Mere mind is not enthroned.) 



Discriminating will, with force 

To order and arrange, 
Must through the medley hold its course, 

And show our eyes the change. 



74 POEMS OF THE MALAY PENINSULA 

Else, while, within ourselves confined 

By a blank wall of green, 
We draw curves gracefully entwined, 

Real beauty flies unseen. 



XI 

AMOK( = AMUCK) 

HAJI, thou sayest I have killed my brother ; 

Who told this tale to thee ? 
And that we were two children of one mother ; 

Only one child I see. 

The world I live in now is something different 

From that I knew of old, 
And only one man walketh in these caverns 

Of crimson clouds unrolled. 

Each must fulfil the laws which power prescribeth, 
As in my former sphere 

75 



76 POEMS OF THE MALAY PENINSULA 

With quiet irony and hidden passion 
I lived my life ; but here 

Not such a life is proper, for thought's current 

Setteth another way ; 
The spirits bid me have no fear to murder, 

And them I must obey. 

Siti, whose beauty far surpassed the radiance 

Of heaven's moon and sun, 
But lately stole away and left me mourning, 

And the old life was done. 

Customs I knew before are alien to me ; 

My former bonds are rent ; 
Seemeth that change of world has changed me also, 

And now my strength is spent. 



AMOK ( = AMUCK) 77 

Allah wataala ! out beyond the mangroves 

Rises a white-winged mist 
With chilly dew benumbing all my senses, 

As though 'twere Death that kissed. 

Hark, in the pandan-clump the mory warbles, 

Sinking in cadence sad, 
And I must leave our lovely world for ever ; 

In death I am not mad. 



XII 
THE PILGRIMAGE 

SKY like an amethyst all the way, 

Sand underneath, and nought but sand ; 
Save where at the foot of some stony hills 
Dwarf shrubs just dotted a brick-kiln land ; 

No sight or sound of our shady jungles, 
No insect's humming in chains of flowers, 
No boughs which creepers pull down to the grass, 
No aroma of incense from tangled bowers 

To give life's joy to that arid sea ; 
Only the sunlight on powdered glass 

Would be like it, a morning in Araby. 

7 8 



THE PILGRIMAGE 79 

Desert without me and desert within ; 

My brother, his pilgrimage checked, had died, 
When winds not so cool as those which blow 
Through jack-trees fringing the water-side 

Swept o'er the desert, as wild grass kindled 
Fierce blasts sends forth from its depths of flame, 
And boughs shrivel up with a crackling sound ; 
Even so the breath of the simoom came, 

And my brother fell forward upon his face ; 
So that I presently heaped a mound 

For a tomb ; and the tamarisks watched his 
place. 

Still I went forward, sorrowing ; 

Minarets gleamed in the purple haze 
Afar, and at last I knelt to pray 

Before the Kaaba stone, as prays 

With bowed head one who gives up all things ; 



80 POEMS OF THE MALAY PENINSULA 

I grudged not Allah a brother's life, 

Nor turned me in anger from His sword ; 

But the victim who sacrificed felt the knife, 

Still felt, as 'mid orchards cool I see 
Mountains rise over the sunlit ford, 
While my heart lieth buried in Araby. 



XIII 
ABDULLAH 

(Author of the '''Malay Annals"') 

CREATOR of thy people's history, 

With eye that saw so far as Macedon 
From out thy jungles in the eastern sea, 

Who told the tale replete with mystery 

Of Suran reigning underneath the waves, 
And many a silken-tressed Maharanee ! 

One garment thou didst bid thy race put on, 

When welding legends of its scattered tribes,- 
The strength and wisdom born of union, 



82 POEMS OF THE MALAY PENINSULA 

Even as the Universal Reason saves 

Our thoughts from selfishness and vanity, 
Lest they be buried with us in our graves. 



XIV 
THE WITCH OF THE MOUNTAINS 

AMONG the darksome woods of these lone hills 
Whence undiscovered rivers wind away, 
I dwell, Nnek Kabayan, by repute, 
None knowing it better than myself, a witch. 
Skilled am I in all potent herbs, to know 
What root the love-lorn maiden secretly 
Pounds 'mid the curry -stuff and gives to eat, 
Wary (for whoso tastes ne'er leaves her more), 
And where the kachubong poison-flower is picked. 
The spectres of slain deer obey my voice, 
And sink to rest among the sandal-trees. 
I know the excellence of precious gems, 

Zemrud, the life preserver, and the rest, 

83' 



84 POEMS OF THE MALAY PENINSULA 

Ratna mutu manikam, warding off 
Death, and no doubt procuring it at times, 
As also love, in one thing like, or more. 

Seest thou that twin-peaked mountain 

soaring there ? 

It seems as if all angles in its side 
Were meant to end in its two horns ; and well 
It might be so. For there is nought beneath 
Like to the glories which the summit sees, 
Source of the dead earth's life derivative. 

One morn I scrambled up the sides, intent 
To find Bako-wali flowers, wherewith one cures 
Men blind from birth ; 'twas well known 

heretofore, 

And, though they peep and mutter for a show, 
Those Jugis, losing lore miraculous, 
The science is not forgotten even now. 



THE WITCH OF THE MOUNTAINS 85 

At last, emerging from the undergrowth 
Through nature-plaited meshes of rotan, 
I reached the hollow where the peaks diverge, 
And lo, a lake o'er which the evening wind 
Played, and caressed the smiling moon-faces 
Of girl-like bevies of pink lotus-flowers ; 
Which sang as once in sweet antiphony 
Red rose and lotus blue, pride of the close, 
Filled with their choral hymns the garden 

old 

Of Gunong Lidang's princess magically. 
And this the interpretation of their song : 
" Showery balm of the gentle breeze, 

Rain-drops patter in champac trees ; 

Petals fall, but beauty lingers ; 

Moveth life's arc through death's cold 
fingers." 



86 POEMS OF THE MALAY PENINSULA 

Answered another band with like refrain : 
" Leaves lie strewn upon the waters ; 
Give ye the land to your sons and 

daughters ; 

Over our dead, brown leaves, at morning, 
Blossomed a bud for Bela's scorning." 

Straightway there came a troop from fairy-land, 

Peris and elves, dancing with shuffling feet, 

Attended by a body-guard of imps 

Horned, rugged to the eye, and armed with 
spears 

Tufted, in close array, like feathery flowers 

Which ornament the sword-growth of wild grass. 

Some rode on horses, Janggis that we call, 

Gaily caparisoned with broideries 

Of ocean and the yellow light of even ; 

Jintayu and Garuda, winged things, 



THE WITCH OF THE MOUNTAINS 87 

With minds which told them what their riders 

planned, 

Bestrid the air, like flakes of rainy mist 
Uprolling in the windings of a glen. 
And, for the lake seemed full of golden fish, 
Some dived and caught the prey, and laughingly 
Tost what they caught into the pool again ; 
While others, lying hid behind the flowers, 
Suddenly darted into view, their hair 
Of glistening blackness streaming o'er the arch 
Of tawny shoulders, agate-wrought setting 
For lineaments like hers, whose goddess form 
Sprang into birth from out a lotus-bloom, 
And simpleness of heart appeared in them. 

At length three flute-notes from the darkening 

woods, 
Wailed, as it were the soughing of the wind, 



88 POEMS OF THE MALAY PENINSULA 

And silent stars looked down on a lone lake. 
And tears came to my eyes, for shapes like 

these 

Of yore, within a little theatre 
I saw, yet unoppressed by weight of years, 
Holding my father's hand in mine, now gone. 



XV 
VOICE OF THE FORESTS 

THE flowering angsana bids me stay, but the 

hazels call me back, 
As from their roughly wholesome leaves they 

shake the summer rain ; 
But it is not on the face of me stretched on the 

woodland track, 

Only their spirit saith, " We here, thou there ! 
come home again." 

And the jungles say : " Behold us now with our 

wealth of flowering trees, 

And our spreading sharply-carven fans, our 
locks like maiden hair, 

89 



90 POEMS OF THE MALAY PENINSULA 

And our dark-green robes and pale-green crowns, 

'mid ferns that never cease 
Rolling away through giant stems! What 
wouldst thou over there ? " 

I said, "No binding spell comes forth from the 

lofty-minded ones, 
For in their self-sufficingness they have no 

griefs to heal ; 
But we love the lowly and the plain whom 

fortune's pride outruns ; 

So less for ye than for russet elms we cannot 
choose but feel." 



XVI 
SETTING SUNS 

Jangan pandang hari-mata chondong, 
Takut mengikut jalan ta' berantas. 

Look not on the setting sun, lest ye follow untrodden (i.e. unholy) 
paths. (Malay Proverb.) 

PATHWAY to spirit-land, 

(Golden the road,) 
Treacherous demons planned 

To their abode, 

Look not on it in its glory, for evil such com- 
munings bode. 

Communings weary 

And searchings in vain 

91 



92 POEMS OF THE MALAY PENINSULA 

After the eerie, 

Fruitful of pain, 

Road to escape from life's turmoil, and in a calm 
brightness to reign. 

Such a deceiving force, 

When the tired day 
Neareth his ended course, 

Tempts ye to say : 

Not by the earth, but in far-off skies, runs the 
saint-trodden way. 

Formless as spectre, 

A golden haze, 
Of all lies architecture, 

Broods o'er the ways, 

Falsifies distance and sizes beneath the declining 
rays. 



SETTING SUNS 93 

Showing relations 

And outlines of things 
Firm without shaking 

Of disputings, 

Use is the sun's proper glory, and yours, on the 
Truth's wide wings. 

For the same sun's light 

All the day long 
Made the dull earth look bright, 

Till evensong 

Saw in its splendid fading the judge between 
right and wrong. 



XVII 
SEEK AND YE SHALL FIND 

(The first four lines represent a Malay superstition.} 

NIGHTLY he watched beside the ancient graves 
Of warriors ; for his life was going astern, 

And from some ghost revisitant he hoped 

The lore of strength and victory to learn. 

We found him lying face towards the ground, 
And at his feet a panther's bloody form ; 

But nought that lived could anywhere be seen, 
Save foliage sparkling from a recent storm. 



94 




THEY called this land the Golden Chersonnese, 

Dreaming that wealth untold 
Might lie behind those weary mangrove-swamps, 

Gold, and far more than gold. 

For in that serried line of mountains blue, 

Which seems to know no end, 
Rolling far inland, forests piled in heaps, 

Lay the unfailing friend. 

Hope and imagination's fashionings, 
World-weary travellers 

95 



96 POEMS OF THE MALAY PENINSULA 

Found not to dwell in any land they knew ; 
But as the mind avers, 



Behind the foreshore of a life which tires 

With seeming hollowness, 
There lies a lovely dream, and more than dream, 

They wished this land no less. 



XIX 
AVE ATQUE VALE 

" I LIKE to see for master ; " so 
The child-simplicity of one 

Who lived and toiled, nor did he know 
Thereby a task assigned was done. 

The words were spoken long ago, 

Their spirit still its course shall run, 

And for the ages' ceaseless flow 
Their prophecy is but begun. 



97 



NOTES 



NOTES 
I 

THIS tree, or more properly speaking, clump 
of bamboo-grass, grows on the top of a moun- 
tain in Selama, North Perak. The story is 
that every living man who approaches near 
enough to hear its music is charmed into 
immobility, and so, in obliviousness of all else, 
remains near it until he dies of starvation. Its 
supposed origin is ideal, and may be taken 
to represent the period of transition at which 
the miracles of Hinduism were beginning to 
yield to, or be modified by, the Mohammedan 



102 POEMS OF THE MALAY PENINSULA 

conception of an Avenging God. The idea of 
metamorphosis by incantations is as familiar 
to the Mohammedan Malay as that of meta- 
morphosis by the will of gods must have been 
to his Vishnu-worshipping ancestors (vide In- 
troduction). 

A sound like that of an yEolian harp is often 
produced by the sighing of the wind among 
the stems of the bamboo. When the messen- 
gers of Sultan Mohammed of Malacca travelled 
to Gunong Lidang to ask the hand of its 
princess in marriage for their master, on the 
outskirts of her domain they saw a bamboo- 
grove from which came music so beautiful that 
" the birds stopped in their flight to listen " to 
it, and "all the beasts of the field marvelled as 
they heard" (bunyi buluh perindu terlalu merdu 



NOTES 103 

bunyi-nia, burong pun terbang berhenti men- 
engar bunyi-nia &c. " Malay Annals "). 

There is said to be a suspicion of some past 
wrong attached essentially to the deadly work 
of the bamboo in question, and on the basis 
of these two oral traditions the legend has 
been amplified in detail. 

/. 13. It, the Deity as the Personal or Con- 
scious Process of events ; orthodox Moham- 
medanism does not explicitly accept the latter 
element in the conception. 

II 

The Chandra-wasi, according to the Malay, 
is a bird which is heard, but never seen. It 
is said to live on the sea-foam. 

The name, as Mr. Maxwell (" Manual of Malay 



104 POEMS OF THE MALAY PENINSULA 

Grammar") points out, has certainly a Sanscrit 
origin. In fact, a Hindu told me that it oc- 
curred in the three crores of divine beings his 
religion recognised ; " Chandra " being San- 
scrit for the " moon," and " Vyas " meaning to 
dwell. The goddess owning this name must 
have been connected with the moon, in the 
minds of the early Malays, who knew enough 
Sanscrit to enrich their language with many 
derivatives from that language. Further, there 
is a Sanscrit root */vas, meaning "to sing as 
a bird," and so there is every reason to regard 
this Chandra- wasi myth as etymological, "the 
moon-singing bird." (For the ordinary change 
of the Sanscrit v into the Malay w, cp. vira, 
Malay, wira = strong.) 
/. 14. The goal of Hindu philosophy and 



NOTES 105 

religion was the losing one's individual self 
(ahamkara) in Brahma or the absolute un- 
characterised spirit, from which, associated with 
a principle of illusion, all things were held to 
proceed. It might seem that the aim of as- 
ceticism was to reach Brahma as unassociated, 
and prior to his state of association with this 
illusory principle, which alone made individuality 
and the body possible. Such was the Hindu 
attempt to explain the co-presence of an all- 
comprehensive God, with an (apparently) inde- 
pendent being, man. 

/. 19. The Hindu gods and goddesses, whom 
philosophers would call personified energies of 
the Supreme Soul, were always liable to suffer 
from the curse of a saint or sage. Under such 
an influence, the body of Indra was disfigured. 



io6 POEMS OF THE MALAY PENINSULA 
III 



An unmodified narration of something which 
the Malays believe to have happened quite 
recently. 

The natives of Korinchi in Sumatra are 
believed in especial to have this power, which 
they are able to exercise while still alive. It 
might be compared with the lycanthropy of 
the north ; this is said to have been a form 
of madness, taking its colour from surrounding 
influences, chiefly from the prevalence of wolves. 
The sufferer imagined himself to be a wolf, and 
behaved like one, digging up graves with his 
nails. The Korinchi men are said to subject 
themselves to certain ceremonies ; on the mad- 
ness theory, this would be due to a secondary 



NOTES 107 

insane idea, viz. that they are beings endowed 
with^ superhuman power to be assumed and laid 
aside at will. The whole would be intensified 
by the self-absorption of the Malay. 

IV 

This also the Malays believe to have been 
an actual fact, and an instance of the special 
gift which is represented by one of the meanings 
of the word " Kramat." The language of birds 
and beasts is said to be discussed in Hindu 
magic. But there is no need to look to any 
one source for the conception of a power which 
is attributed to all the heroes of Eastern legend. 
Without supposing the utter impossibility of 
such a power among "the children of the 
gods," there is actually in a modern French 



io8 POEMS OF THE MALAY PENINSULA 

romance, the " Remain Kalbris " of Hector 
Malot, 1 a man who thinks he has got the 
secret ; in addition to the conceivable adepts, 
a dishonest man of genius might often get a 
project carried out by pretending that the birds 
had informed him of his excellence. I think 
that there may be a lurking notion of universal 
sympathy underneath it all ; its acceptance 
among the modern Malays is explainable in the 
light of their failure to grasp the distinction 
between the conscious life of man and the 
merely instinctive life of an animal. Though 
all men might potentially understand the animal 
language, the Kramats alone could realise that 

1 " Tout ce qu'un oiseau peut exprimer, M. de Bihorel affirmait 
qu'il etait arrive a le traduire, selon lui couramment." (Remain 
Kalbris, v.). 



NOTES 109 

potentiality, because they alone knew the re- 
quisite conditions, e.g. allowance to be made 
for the difference of vocal organs between men 
and birds, &c. Further, birds might have 
languages according to their nations. This 
suggestion is only hypothetical, and from a 
Malay point of view. But it would hardly 
seem an absurdity that a man who had perfectly 
identified himself with Nature by knowledge 
and love, e.g. a greater Thoreau or St. Francis, 
should be able to interpret the cry of a bird. 

/. 6. The Malay nightingale. 

/. 19. Solomon, called Sleman or Suleiman 
by the Malays. Mohammedan legends represent 
him, in the words of Emerson, as having 
" heard secrets whenever he walked in his 
gardens." 



no POEMS OF THE MALAY PENINSULA 

VI 

Kuala Pahang, that is, the mouth of the 
Pahang River, on the east coast of the Malay 
Peninsula. 

VII 

Malacca is built on a low-lying shore. Between 
the crowded native quarter and the suburbs, 
which are inhabited chiefly by descendants of 
the old Dutch colonists, there rises, facing the 
sea, a solitary hill, crowned by the ruins of 
the Portuguese Cathedral, within which is to 
be found an inscription in memory of Xavier. 
There are a few relics of both the Portuguese 
and the Dutch occupations of the city the gate 
of the Dutch fortress at the foot of the hill, 
the state-house, and an old church with a bas- 



NOTES 1 1 1 

relief over the doorway. The Age of Faith 
was, over the greater part of Europe, ripening 
to its decline when the Portuguese first sailed 
into Indian waters ; but there is little doubt that 
they, with a belief in their sacred mission which 
distance from home would do nothing to weaken, 
were the enthusiastic soldiers of an idea to an 
extent which has never been reached in the 
more prudent and tactful rule of their Dutch, 
or till recently, their English successors. Under 
Albuquerque, they gained possession of the 
place in 1509 ; the Dutch took it in 1642, and 
it was finally ceded to England in 1824. 

/. 10. "From Hindustan" Whether Malacca 
was founded from Java, as Crawfurd supposed, 
or whether it was founded from India directly, 
is not a matter of ethnic importance. Very 



ii2 POEMS OF THE MALAY PENINSULA 

early in the Christian era Java was governed 
by Hindu colonisers, and all its institutional 
life was carried on in the spirit of Hindu re- 
ligion and ethics ; any colony founded from Java 
would have been founded by its Hindu rulers, 
and not by the mass of the native population. 

The name " Malacca " is a Sanscrit derivative. 
In that language amalaka is the name of a 
medicinal tree, a sort of myrobalan. There is 
a tradition that a dispossessed prince of Singa- 
pore by chance landed on the west coast of 
the Chersonese, and, wearied with his wander- 
ings, sat down to rest against a tree. On asking 
the name of it, he was told that it was called 
amalaka, and this determined the colonist to 
call the city which he founded on the spot, 
Malacca (" Malay Annals"). 



NOTES 113 

VIII 

Hang is a title of rank. The hero of this 
legend is a sort of Malay Prince Arthur, but 
there is no indication in the "Sejarah Malayu" 
that he was ever idealised into a personification 
of the genius or aspirations of the Malay people. 
He was the wise prince and warrior, but also a 
man among men. 

I. 10. The hilt of a Malay sword or dagger 
often terminates in a lotus-bud. 

IX 

All the Orientals are fatalists ; the " eyeless 
face that waits above and laughs" is to them 
a sort of brute, unconscious, and objective 

force, which governs the world, either by the 

H 



ii4 POEMS OF THE MALAY PENINSULA 

sufferance of Allah, or with delegated power. 
Bringing to birth what Aristotle called the 
"contingent," that which seems to happen 
without reason and at hap-hazard, it might 
be called "Nothing," on any theory that the 
world is rational and rationally ordered. The 
Orientals conceive it as Something by pointing 
to its effects ; indeed, wherever the Will is 
weak, as it is among them, the number of 
events borne in upon the man, and over which 
he has no control, will be very large. Of course, 
the belief in such a fate will, in its turn, help 
to weaken the Will. 

This poem, which some might consider 
Swedenborgian and some Pantheistic, is simply 
a version of the aphorism of Heraclitus that 
a man's character is his fate ; necessarily con- 



NOTES 115 

nected with this, there runs through it the 
principle of Idealistic Christianity that God is 
not outside a man otherwise than He is within 
him, and that the devoted and unselfish thoughts 
of a good man when realised in action, if alto- 
gether unselfish, are adequately His existence, 
relative to, and so absolute for, us. One may 
hope that it is along these lines that the race 
is progressing. Deism, technically so called, 
the merely objective isolation of God being 
its burden, can hardly be said to be either 
morally useful or in accordance with the intel- 
lectual needs of the time. 

/. 8. Bidddri. A celestial nymph. This Malay 
name is derived from the Sanscrit " vidyadhara," 
a spirit of the air. So in " Indra Sebaha," a 
Malay fairy-tale in verse, the origin of which 



n6 POEMS OF THE MALAY PENINSULA 

is to be looked for in India, one finds the ex- 
pression, " a countenance like that of the 
Bidadari of the clouds" (Bidadari awan). 



XI 

It does not seem unreasonable to suppose that 
Amok (running amuck) as a form of madness is 
the result of a continual brooding, self-absorbed, 
on real or fancied wrongs, which at last becomes 
unbearable and breaks out into ungovernable fury. 
The individualism of the Malay is peculiarly 
favourable to this mental phenomenon. In the 
Malay language there is a word "melengong," 
which means " to sit on the ground wrapt in 
thought." The existence of such a word with 
such an import among a people who seem in- 



NOTES 1 1 7 

capable of forming general ideas is suggestive of 
much. 

/. 18. Princesses, in the " Sejarah Malayu," are 
frequently described as being fairer than the sun 
and moon. 

/. 29. I have heard the moray-bird sing the 

\S 

notes jESEEGEDECin G major, and that 
more than once. 

XIII 

Abdullah, who wrote the " Sejarah Malayu " 
(Malay Annals), probably in the sixteenth century 
A.D., certainly seems to have thought the unity 
of the various branches of the Malay race both 
possible and desirable. It was for this purpose 
that, in one and the same synopsis of history, he 
narrated the affairs of places so remote from one 



n8 POEMS OF THE MALAY PENINSULA 

another as Malacca and Mangkasar (Celebes), 
Palembang and Java. Also he had formed the 
conception of organic unity between the members 
of a state, to illustrate which, he puts into the 
mouth of Mansur Shah a Persian metaphor, by 
which the science of government might be de- 
duced from natural laws as manifested in the 
growth and existence of things. It frequently 
takes a long time, as Metternich saw, for the ideas 
of wiser heads, who are more nearly allied with 
the forces that make for progress, to filter down 
to the populace, which is quite satisfied with the 
present. 

XIV 

These witches, or Kabayans, generally live in 
wild and remote districts, far from the haunts 



NOTES 119 

of men. There they become adepts in the so- 
called science of magic, which all half-civilised 
or savage nations, when left to themselves, firmly 
believe to influence the course of human life. 
A vague trust in the workings of an undefined 
supernatural power is their substitute for a 
definite and well-mapped theory of the laws 
of life and nature founded on o r ganised ex- 
periments. All the same, it is conceivable that 
these Eastern soothsayers, when they go to 
look for enchantments, may sometimes see the 
vision of the Almighty, falling into a trance, 
but having their eyes open. 

/. 9. A sort of datura. 

/. 13. The emerald, the Sanscrit name of which, 
"marakata," means literally "the defender who 
makes men pass safely through the pestilence." 



120 POEMS OF THE MALAY PENINSULA 

/. 14. Fine jewels. The last word and the first, 
often used in the Malay literature, are pure San- 
scrit (Mutu, possibly from N/mud to cleanse). 

/. 17. Gunong Bubo, in the Kuala Kangsar 
district of Perak, has two peaks. There is a 
superstition among the Malays that lakes are to 
be found on the mountain-tops. 

/. 24, 25. I have seen this represented in a 
Malay play, the scenery and general setting 
of which was highly suggestive of Northern 
India. The flower in question is probably 
mythical ; the stage substitute for it was a 
long yellow flower with close -folded layers 
of petals, which was waved in front of the 
blind man's eyes. 

/. 27. Jugi. A word which, though not gene- 
rally understood, I have found in a native 



NOTES 121 

vocabulary. It bears much the same mean- 
ing as the Sanscrit " Yogi," from which it is 
manifestly derived. 

/. 33. In Sanscrit poetry the lotus is often 
compared to a beautiful face ; the Indian type 
of face, which below the forehead is almost 
a pure oval, has also been, times without 
number, likened to the moon. 

/. 35. This story is to be found in the " Malay 
Annals." (cp. Notes to I.) The princess of 
Gunong Lidang was a magician. 

/. 40. This song is closely modelled, in metre 
and rhyme, on the ordinary Malay stanza, or 
pantun, which is sung antiphonally. An at- 
tempt has also been made to reproduce the 
abundance of natural images by which it is 
characterised. 



122 POEMS OF THE MALAY PENINSULA 

In the garden of Gunong Lidang, "the pome- 
granates laughed and the roses sung, and the 
blue lotuses answered them." It is not worth 
while translating their song, as it does not 
seem to harmonise with its delicate and charm- 
ing surroundings. Other verses speak of "The 
pandan-tree leaning on the tui-tree," or the 
lover fetching "kamboja leaves from up-river 
forests," but this song belongs to a class in 
which sordid elements create a sense of dis- 
cord. (/. 48. Bela, the Sanscrit vela, stands for 
death.) 

/. 50. In the more elaborate drama of the 
Malays some of these beings always appear, 
sometimes fulfilling the commands of the king 
of the genii, sometimes dancing the Natch 
dance. 



NOTES 123 

/. 54. The spears of Raja Suran's army were 
like the lalang grass, they were so numerous, 
and the tufts at the end of the spear-heads 
were like its flower (Sejarah Malayu). 

/. 57. A cloak, embroidered with a picture 
of the ocean (Sagara), is mentioned in the Malay 
Annals. 

/. 58. Jintdyu is the Sanscrit jatayu, a strange 
bird born of the dawn. Garuda was the 
feathered being on which Vishnu rode. Both 
these birds figure largely in the Malay popular 
tales, and it seems to be the case that the 
Malays suppose them to have had a real ex- 
istence in those ancient times, the "perba 
kala," which contain all that the present cannot 
ocularly vouch for. 

/. 70. The reference is to Lakshmi, from whose 



124 POEMS OF THE MALAY PENINSULA 

name, Indira, the blue lotus was called Indira- 
layam. The lotus may be taken as a symbol, 
perhaps the Hindus thought so, of the identity 
of beauty and use. Its roots are edible, and 
there are few lovelier sights than a pond full of 
pink lotuses, which light up the rank greenery 
around and their own broad bluish leaves like 
so many lamps. 

XV 

In such lines the temporary depression of 
an English official of a meditative turn might 
be supposed to run. The sight of an appa- 
rently chaotic and inextricable waste of natu- 
ral luxuriance no doubt produces, for aesthetic 
reasons, a sort of mental weariness, but the 
mind can always overcome this by concentrating 



NOTES 125 

its attention in detail on a few aspects of the 
tangle which is presented to the eye. 

/. i. Angsana (Pentaptera tomentosa). This 
tree, which is much planted for the shade it 
gives, bears clusters of yellow flowers. 

XVI. 

What those who first brought this proverb 
into circulation intended by it can never be 
more than matter of conjecture. The exceed- 
ing beauty of the expression must have had 
a deeper thought to produce it than the 
superstition, which formerly, when the mam- 
bang kuning, or yellow devil, appeared in the 
yellow glow of a Malayan sunset, prompted 
mothers to call their children in from play. 



126 POEMS OF THE MALAY PENINSULA 

Superstitious feeling has peopled the time of 
sunset with evil spirits, who are then especially 
active, and the Hindus think it necessary to 
propitiate them by a special sacrifice (sabali). 

The interpretation given in this poem, there- 
fore, is almost purely ideal. 



THE END 



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